Name |
Prodigy |
Height |
|
Naionality |
British |
Date of Birth |
|
Place of Birth |
Braintree, Essex, England, UK |
Famous for |
Singing |
Prodigy are an English electronic dance music group formed by Liam Howlett in 1990. The current members include Liam Howlett (keyboardist and composer), Keith Flint (dancer and vocalist), Leo Crabtree (Drums), Rob Holliday (Lead guitarist) and Maxim (MC and vocalist). Leeroy Thornhill (dancer and occasional live keyboardist) was a member of the band from 1990 to 2000, as was a female dancer and vocalist called Sharky who left the group during their early period.
Along with the Chemical Brothers, Fatboy Slim and other acts, The Prodigy have been credited as pioneers of the big beat genre, which achieved mainstream popularity in the 1990s and 2000s. They have sold over 25 million records worldwide. The group has won numerous music awards throughout their career, including two Brit Awards—winning Best British Dance Act twice, three MTV Video Music Awards, two Kerrang! Awards, five MTV Europe Music Awards, and have twice been nominated for Grammy Awards. The group's brand of music makes use of various styles ranging from rave, hardcore techno, industrial, and breakbeat in the early 1990s to big beat and electronic rock with punk vocal elements in later times. The Prodigy first emerged on the underground rave scene in the early 1990s and have since achieved popularity and worldwide renown. The release of "Firestarter" in 1996, featuring vocals for the first time courtesy of a new-look Keith Flint, helped the band break into the U.S. and other overseas markets, and reached number one on the UK Singles Chart. In this year The Prodigy also headlined the prestigious Lollapalooza festival.
The long-awaited third Prodigy album, The Fat of the Land, was released in 1997, just as the band headlined the Glastonbury Festival on its opening night. Featuring simplified melodies, sparser sampling, less rave music influences, and punk-like vocals supplied by a shockingly madeover Flint, the album nevertheless retained the bone-jarring breaks and buzzsaw synths so idiomatic of the band. The album cemented the band's position as one of the most internationally successful acts in the dance genre, entering the UK and US charts at number one.