Name	Michael Shannon
Height	6' 3"
Naionality	American
Date of Birth	7 August 1974
Place of Birth	Lexington, Kentucky, USA
Famous for

Character actor Michael Shannon earned his reputation as an intense, magnetic performer on the Chicago stage before making the leap to features in the early 1990s. Once there, he captured the attention of audiences with small but significant turns in dramatic features like “Jesus’ Son” (1999) and “Vanilla Sky” (2001), while also displaying a knack for offbeat comedy in “Cecil B. Demented” (2000) and “Kangaroo Jack” (2003). His talent for emotionally and psychologically conflicted characters eventually led to larger roles in independent features like “The Woodsman” (2004) and most notably “Bug” (2007), where he hypnotized viewers with his portrayal of a schizophrenic whose delusions overwhelm the life of a fragile young divorcee. Critical acclaim for his work in “Before the Devil Knows You’re Dead” (2007) and an award-winning turn in Sam Mendes’ “Revolutionary Road” signaled his status as one of the most accomplished supporting actors in Hollywood.

Born in 1974 in Lexington, KY, Shannon made his professional theater debut in “Winterset” at the Illinois Theater Center. He became deeply involved with theater groups throughout the state, including the acclaimed Steppenwolf Theater Company, but focused much of his energy on the Red Orchid Theater, which he helped to co-found in 1993. As a member of the company, Shannon originated roles in several acclaimed productions, including “Killer Joe” (1998), “Man from Nebraska” (2003) and “Bug” (2003) – each of which would eventually bring him to Broadway and London’s West End. “Bug,” in particular, helped to cement Shannon in the minds of critics and fans; a harrowing two-person play about a young woman and the mentally unstable drifter who overtakes her life with delusions of insect infestations and government surveillance established him as a formidable presence on the American stage.

Shannon’s film and television career ran concurrent with his work on the Chicago and New York stages. After making his small screen debut in a pair of 1992 television movies, he broke into features with a brief appearance as a groom in Harold Ramis’ 1993 comedy “Groundhog Day.” His theater work consumed much of his time for the next three years, but by 1996, he was landing small but important parts in independent and Hollywood features. Most of these played to his intense, brooding energy; he was a drug addict in the indie comedy-drama “Hellcab” (1998), a gun-toting psychopath in “Jesus’ Son” (1999), and a Vietnam-era sergeant in “Tigerland” (1999). Occasionally, Shannon directed that energy into offbeat comic turns, like his Fassbinder-worshipping guerilla filmmaker in John Waters’ “Cecil B. Demented” (2000) or the laconic airman Lt. Gooz Wood in Michael Bay’s epic, “Pearl Harbor” (2001).

As Shannon’s theater commitments grew, so too did the size of his roles in features, as well as the stature of the projects themselves. Many of these roles were unsympathetic, like the abusive boyfriend of Eminem’s mother in “8 Mile” (2003) or a trigger-happy ex-con in “Bad Boys II” (2003), though on occasion, they had a light-hearted side, like his henchman to mobster Christopher Walken in “Kangaroo Jack” (2003) or the cartoonish leader of a white supremacist gang in “Let’s Go to Prison” (2006). From time to time, Shannon played characters on the right side of the law – most notably a therapist who attempts to treat Kevin Bacon’s convicted child molester in “The Woodsman” (2004), but for the most part, he was relegated to the dark side in films like “Criminal” (2004) and the offbeat period horror film “Dead Birds” (2004).

In 2006, Shannon reprised his turn as a mentally disturbed drifter in William Friedkin’s adaptation of “Bug.” Though seen by few during its brief theatrical release, Shannon’s hypnotic performance as a man whose plunge into insanity also destroys an innocent woman (Ashley Judd) was singled out for critical praise. The write-ups seemed to give a boost to Shannon’s film career, which soon included notable and more multi-layered turns for Oliver Stone with “World Trade Center” (2006), Curtis Hanson with “Lucky You” (2007) and Sidney Lumet with “Before the Devil Knows You’re Dead” (2007) added to his resume. In the former, he played a Marine who helped to rescue the film’s leads from the rubble of the collapsed buildings, while in Lumet’s underrated thriller, he is the duplicitous brother of a murdered thief who attempts to blackmail Philip Seymour Hoffman and Ethan Hawke for a share of a robbery haul. Lost amongst these high-profile pictures was “Shotgun Stories” (2008), an affecting small-scale drama which cast Shannon in a rare lead as one of four half-brothers trapped in a violent feud after the death of their father. Though rarely screened outside of the festival and arthouse circuits, it found itself on several reviewers’ best-of lists at the end of 2008.

That same year, Shannon received some of the best press of his career for performances on stage and in film. He was a guilt-ridden writer who struggles with both substance abuse and the memory of his mother’s physical suffering in an off-Broadway production of Stephen Adly Guirgus’ “The Little Flower of East Orange” for director Philip Seymour Hoffman. And in Sam Mendes’ film “Revolutionary Road” (2008), he once again displayed his talent for unbalanced characters, starring as a young man in a mental hospital who is the only member of a 1950s-era bedroom community to see the hypocrisy and deceit behind the happy marriage of Leonardo DiCaprio and Kate Winslet. Shannon again yielded considerable critical praise, and netted acting trophies from both the Satellite Awards and the Palm Springs International Film Festival, as well as an Academy Award nomination for Best Supporting Actor